Tucked away on the side of a cliff within the boundries of Canyonlands National Park lies False Kiva, one of the most spectacular and least visited Indian sites you are likely to see when traveling in the southwestern U.S. The name False Kiva is the result of uncertainty about its origin and whether it is an authentic kiva. It became a popular destination for photographers after the following image of it was published by Wally Pacholka a few years ago:

Since it is considered an archaeological site, the National Park Service does not publicize its location, and as a result very few people make the three mile round trip hike to visit it. The trail is pretty well marked with cairns but the final location can be tricky to locate as the site is not visible from the trail and the last section involves carefully scrambling up a steep incline to reach the alcove in which it is located. Once you arrive you are rewarded with an astonishing view, total silence and most likely no signs of other people except for a few footprints in the sand.

The site faces south and is best photographed in the late afternoon with a wide angle or fisheye lens as the entirety of the alcove is impossible to fully capture with a regular lens. Another alternative is to take multiple images and stitch them together. To photograph an image like the one above requires a visit in mid-summer to capture the Milky Way when it is high in the sky. Not wanting to risk having to hike out in the dark, I settled for this late afternoon image which I still think is pretty dramatic. 

The Vermillion Cliffs National Monument straddles the Utah/Arizona border northeast of the Grand Canyon and contains the most bizarre and incredible landscape I've ever seen. Within the monument is an area called North Coyote Buttes, one of the most sought after locations for landscape photographers around the world to visit. If you have a bucket list of places to see, definitely put the Vermillion Cliffs on it. 

North Coyote Buttes covers a relatively large area, but the main attraction is a section called the Wave, a picture of which is shown above. Protected by the Bureau of Land Management, only twenty people per day are allowed to visit. A lottery system was put in place a number of years ago to manage the large number of people - mostly foreign tourists - interested in visiting. To give you an idea of the hikes' popularity, over seven hundred people applied the day I won a permit and this was during the summer when the temperatures typically exceed 100 degrees. Heavy rainstorms in the days prior to my trip had thankfully dropped the temperatures to well below normal, although the resulting flash floods made the primary access road impassable, resulting in a much longer drive to the trailhead.

To properly visit the area requires an eight mile trek through unmarked desert, a good bit of which involves climbing up and down slip rock, hiking through sand dunes and in our case, a short wade through a tight passageway. It's definitely a good workout. We hired a guide named Marjorie Casse through Dreamland Photo Tours, an outfit located in Kanab, Utah, to help us better explore the area. In retrospect it was a good decision given the risks of getting lost or injured in this remote area. The hike was my second time taking a trip with Dreamland and I can highly recommend their services if you will be traveling in Southern Utah/Northern Arizona, even if you are not interested in photography. You can reach them at http://www.dreamlandtours.net. 

Photographing the wave is, unlike most landscape photography, best done midday when the sun is directly overhead. Wide angles work best for capturing the entirety of it and telephotos can be used to highlight the amazing swirls and patterns in the Navajo sandstone rocks. Later this year I'll be posting many more pictures from this hike as well as from previous trips to nearby South Coyote Buttes and White Pocket, a couple of the other remarkable locations within the Vermillion Cliffs.

Stay tuned.

Upper Antelope Canyon

Southern Utah and Northern Arizona are home to dozens of slot canyons and none are more famous for photographers than Upper and Lower Antelope Canyons. Located on Navajo land just a few miles outside of Page, Arizona, tourists from around the world flock to these sites as they travel around the Southwest.

The two slot canyons are seperated by just a few miles. Upper Antelope, the more popular, is a relatively flat hike, then back out the same way. It gets very crowded in the summer. The canyon is up to 120 feet deep in places and is known for the beams of light than illuminate the inside of the canyon around midday. In addition to the regular tours, the Navajo operators run special tours for photographers where they ensure everyone is positioned in the right spots as the beams begin to appear. Squeezed tightly together are lines of people kneeling and others directly above them as the legs of their tripods intersect. The guides then throw shovels full of sand into the air to better highlight the beams and dozens of photographers start clicking away like mad. It's possibly the most stressful experience I've had photographing something yet I can't ever remember getting so many good images in so short a period of time 

The canyons are formed when flash floods hit and over many thousands of years the runoff carves the soft Navajo sandstone into amazing twisted passageways. During really heavy storms water will fill the entire canyon. Since seventeen tourists were killed in 1997, warning systems are now in place to allow evacuation when rainstorms threaten the area, and emergency ladders can be dropped down if necessary. 

Lower Antelope Canyon

Lower Antelope Canyon is more fun to visit and a little more challenging as it requires navigating by going up and down a series of ladders. As a result, the crowds here are a little lighter than at Upper Antelope. It's a very narrow one way hike and though it lacks the dramatic light beams of Upper Antelope it easily makes up for that with plenty of beautiful colorful formations to photograph. I timed my visits here for first thing in the morning and had the canyon all to myself for quite a while until the crowds started trickling in. My excellent guide directed me around the best areas while he played Native American songs on his homemade flute.  

Since the canyons are relatively dark, properly photographing them to capture all the details requires a tripod. But you can also get pretty good photos using a hand held approach or even with an iPhone (set it to chrome for the best results). The guides know the most photogenic locations within the canyons and will even adjust your camera settings and take pictures for you. So even if you are a terrible photographer you are bound to come away with some great images.

If you are planning a trip to the Grand Canyon, Zion or Bryce try to make time for a visit to one, or both of these incredible places. And for a similar experience without the crowds try nearby Rattlesnake, Owl or Mountain Sheep Canyons, or one of many other slot canyons in Southern Utah. You won't be disappointed.

Contact:  Upper Antelope: www.navajoantelopecanyon.com   Lower Antelope: www.lowerantelope.com